THE WINGS OF THE DOVE
it, would be worthy of high commemoration; Densher's perception went out to meet the young woman's and quite kept pace with her own recognition. Having so often concluded on the fact of his weakness, as he called it, for life—his strength merely for thought—life, he logically opined, was what he must somehow arrange to annex and possess. This was so much a necessity that thought by itself only went on in the void; it was from the immediate air of life that it must draw its breath. So the young man, ingenius but large, critical but ardent too, made out both his case and Kate Croy's. They had originally met before her mother's death—an occasion marked for her as the last pleasure permitted by the approach of that event; after which the dark months had interposed a screen and, for all Kate knew, made the end one with the beginning.
The beginning—to which she often went back—had been a scene, for our young woman, of supreme brilliancy; a party given at a "gallery" hired by a hostess who fished with big nets. A Spanish dancer, understood to be at that moment the delight of the town, an American reciter, the joy of a kindred people, an Hungarian fiddler, the wonder of the world at large—in the name of these and other attractions the company in which, by a rare privilege, Kate found herself had been freely convoked. She lived under her mother's roof, as she considered, obscurely, and was acquainted with few
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