THE WINGS OF THE DOVE
undiminished heads, in an age so proud of its short way with false gods; and it would be funny if what he should have got from Mrs. Lowder were to prove, after all, but a small amount of copy. Yet the great thing, really the dark thing, was that, even while he thought of the quick column he might add up, he felt it less easy to laugh at the heavy horrors than to quail before them. He couldn't describe and dismiss them collectively, call them either Mid- Victorian or Early; not being at all sure they were rangeable under one rubric. It was only manifest they were splendid and were furthermore conclusively British. They constituted an order and they abounded in rare material—precious woods, metals, stuffs, stones. He had never dreamed of anything so fringed and scalloped, so buttoned and corded, drawn everywhere so tight, and curled everywhere so thick. He had never dreamed of so much gilt and glass, so much satin and plush, so much rosewood and marble and malachite. But it was, above all, the solid forms, the wasted finish, the misguided cost, the general attestation of morality and money, a good conscience and a big balance. These things finally represented for him a portentous negation of his own world of thought—of which, for that matter, in the presence of them, he became as for the first time hopelessly aware. They revealed it to him by their merciless difference. His interview with Aunt Maud, none the less, took by no means the turn he had expected. Pas-
88
