THE WINGS OF THE DOVE
do for the character she had undertaken, under her aunt's roof, to represent. It was made up, the character, of definite elements and touches—things all perfectly ponderable to criticism; and the way for her to meet criticism was evidently at the start to be sure her make-up was exact and that she looked at least no worse than usual. Aunt Maud's appreciation of that to-night was indeed managerial, and Kate's own contribution fairly that of the faultless soldier on parade. Densher saw himself for the moment as in his purchased stall at the play; the watchful manager was in the depths of a box and the poor actress in the glare of the footlights. But she passed, the poor actress—he could see how she always passed; her wig, her paint, her jewels, every mark of her expression impeccable, and her entrance accordingly greeted with the proper round of applause. Such impressions as we thus note for Densher come and go, it must be granted, in very much less time than notation demands; but we may none the less make the point that there was, still further, time among them for him to feel almost too scared to take part in the ovation. He struck himself as having lost, for the minute, his presence of mind—so that, at any rate, he only stared in silence at the older woman's technical challenge and at the younger one's disciplined face. It was as if the drama—it thus came to him, for the fact of a drama there was no blinking—was between them, them quite preponderantly; with Merton Densher relegated to mere
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