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are all used alike as a means of hiding us in the house-forest of London. We are numbered no longer with the people whose lives are open and known. I am an obscure, unnoticed man, without patron or friend to help me. Marian Halcombe is nothing now, but my eldest sister, who provides for our household wants by the toil of her own hands. We two, in the estimation of others, are at once the dupes and the agents of a daring imposture. We are supposed to be the accomplices of mad Anne Catherick, who claims the name, the place, and the living personality of dead Lady Glyde.

That is our situation. That is the changed aspect in which we three must appear, henceforth, in this narrative, for many and many a page to come.

In the eye of reason and of law, in the estimation of relatives and friends, according to every received formality of civilised society, "Laura, Lady Glyde," lay buried with her mother in Limmeridge churchyard. Torn in her own lifetime from the list of the living, the daughter of Philip Fairlie and the wife of Percival Glyde might still exist for her sister, might still exist for me, but to all the world besides she was dead. Dead to her uncle who had renounced her; dead to the servants of the house who had failed to recognise her; dead to the persons in authority who had transmitted her fortune to her husband and her aunt; dead to my mother and my sister, who believed me to be the dupe of an adventuress and the victim of a fraud; socially, morally, legally—dead.

And yet alive! Alive in poverty and in hiding. Alive, with the poor drawing-master to fight her battle, and to win the way back for her to her place in the world of living beings.

Did no suspicion, excited by my own knowledge of Anne Catherick's resemblance to her, cross my mind, when her face was first revealed to me? Not the shadow of a suspicion, from the moment when she lifted her veil by the side of the inscription which recorded her death.

Before the sun of that day had set, before the last glimpse of the home which was closed against her had passed from our view, the farewell words I spoke when we parted at Limmeridge House had been recalled by both of us; repeated by me, recognised by her. "If ever the time comes, when the devotion of my whole heart and soul and strength will give you a moment's happiness, or spare you a moment's sorrow, will you try to remember the poor drawing-master who has taught you?" She, who now remembered so little of the trouble and terror of a later time, remembered those words,