and brevity, and falls short of him in nothing but simplicity and propriety of style; the first of which perhaps was the fault of his age, and the last of his language.
Among the moderns, their success has been greatest who have most endeavour'd to make these ancients their pattern. The most considerable Genius appears in the famous Tasso, and our Spenser. Tasso in his Aminta has as far excelled all the Pastoral writers, as in his Gierusalemme he has outdone the Epic Poets of his country. But as this piece seems to have been the original of a new sort of poem, the Pastoral Comedy, in Italy, it cannot so well be consider'd as a copy of the ancients. Spenser's Calender, in Mr. Dryden's opinion, is the most complete work of this kind which any Nation has produc'd ever since the time of Virgil. Not but he may be thought imperfect in some few points. His Eclogues are somewhat too long, if we compare them with the ancients. He is sometimes too allegorical, and treats of matters of religion in a pastoral style as Mantuan had done before him. He has employ'd the Lyric measure, which is contrary to the practice of the old Poets. His Stanza is not still the same, nor always well chosen. This last may be the reason his expression is sometimes not concise enough: for the Tetrastic hasoblig'd
