culiar movements, apparently of a ceremonious nature. Then he ascended the steps of the dais, and stood by the apparatus at the end of the table.
Graham watched that visible inaudible conversation. Occasionally one of the white-robed men would glance towards him. He strained his ears in vain. The gesticulation of two of the speakers became animated. He glanced from them to the passive faces of his attendants.… When he looked again Howard was extending his hands and moving his head like a man who protests. He was interrupted, it seemed, by one of the white-robed men rapping the table.
The conversation lasted an interminable time to Graham's sense. His eyes rose to the still giant at whose feet the Council sat. Thence they wandered to the walls of the hall. It was decorated in long painted panels of a quasi-Japanese type, many of them very beautiful. These panels were grouped in a great and elaborate framing of dark metal, which passed into the metallic caryatidæ of the galleries and the great structural lines of the interior. The facile grace of these panels enhanced the mighty white effort that laboured in the centre of the scheme. Graham's eyes came back to the Council, and Howard was descending the steps. As he drew nearer his features could be distinguished, and Graham saw that he was flushed and blowing out his cheeks. His countenance was still disturbed when presently he reappeared along the gallery.
"This way," he said concisely, and they went on in silence to a little door that opened at their approach. The two men in red stopped on either side of this door.
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