"He shouted again, and I folded my arms and stood still. Presently he spoke to his men and came forward. He carried a drawn sword.
"I signed to him to keep away, but he continued to advance. I told him again very patiently and clearly: 'You must not come here. These are old temples, and I am here with my dead.'
"Presently he was so close I could see his face clearly. It was a narrow face, with dull grey eyes, and a black moustache. He had a scar on his upper lip, and he was dirty and unshaven. He kept shouting unintelligible things, questions perhaps, at me.
"I know now that he was afraid of me, but at the time that did not occur to me. As I tried to explain to him he interrupted me in imperious tones, bidding me, I suppose, stand aside.
"He made to go past me, and I caught hold of him.
"I saw his face change at my grip.
"'You fool,' I cried. 'Don't you know? She is dead!'
"He started back. He looked at me with cruel eyes. I saw a sort of exultant resolve leap into them—delight. Then suddenly, with a scowl, he swept his sword back—so—and thrust."
He stopped abruptly.
I became aware of a change in the rhythm of the train. The brakes lifted their voices and the carriage jarred and jerked. This present world insisted upon itself, became clamorous. I saw through the steamy window huge electric lights glaring down from tall masts upon a fog, saw rows of stationary empty carriages passing by; and then a signal-box, hoisting
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