KIPPS
Afterwards Kipps, in conjunction with Pierce, looked at it from another point of view, and thought it would be rather a "lark." Finally when he saw her, and saw her teaching and coming nearer to him with an impressive deliberation, he was breathless with awe and the quality of her dark, slender femininity.
The class consisted of two girls and a maiden lady of riper years, friends of Miss Walshingham's, and anxious rather to support her in an interesting experiment than to become really expert wood-carvers; an oldish young man with spectacles and a black beard, who never spoke to any one, and who was evidently too short-sighted to see his work as a whole; a small boy who was understood to have a "gift" for wood-carving; and a lodging-house keeper who "took classes" every winter, she told Mr. Kipps, as though they were a tonic, and "found they did her good." And occasionally Mr. Chester Coote—refined and gentlemanly—would come into the class, with or without papers, ostensibly on committee business, but in reality to talk to the less attractive one of the two girl students; and sometimes a brother of Miss Walshingham's, a slender, dark young man with a pale face and fluctuating resemblances to the young Napoleon, would arrive just at the end of the class-time to take his sister home.
All these personages impressed Kipps with a sense of inferiority that in the case of Miss Walshingham became positively abysmal. The ideas and knowledge they appeared to have, their personal capacity and freedom, opened a new world to his imagination.
