she then walked to and fro on the carpet, spreading out the eggs in certain figures and positions; which done, she called in a man that was waiting in the house, and could play on the violin. He retired with his instrument into a corner; she tied a band about her eyes, gave a signal; and, like a piece of wheelwork set a-going, she began moving the same instant as the music, accompanying her beats and the notes of the tune with the strokes of a pair of castanets.
Lightly, nimbly, quickly, and with hair's-breadth accuracy, she carried on the dance. She skipped so sharply and surely along between the eggs, and trod so closely down beside them, that you would have thought every instant she must trample one of them in pieces, or kick the rest away in her rapid turns. By no means! She touched no one of them, though winding herself through their mazes with all kinds of steps, wide and narrow, nay, even with leaps, and at last half kneeling.
Constant as the movement of a clock, she ran her course; and the strange music, at each repetition of the tune, gave a new impulse to the dance, recommencing and again rushing off as at first. Wilhelm was quite led away by this singular spectacle; he forgot his cares; he followed every movement of the dear little creature, and felt surprised to see how finely her character unfolded itself as she proceeded in the dance.
Rigid, sharp, cold, vehement, and in soft postures, stately rather than attractive,—such was the light in which it showed her. At this moment he experienced at once all the emotions he had ever felt for Mignon. He longed to incorporate this forsaken being with his own heart, to take her in his arms, and with a father's love to awaken in her the joy of existence.
The dance being ended, she rolled the eggs together softly with her foot into a little heap, left none behind,
