exposition of Scripture—did never thus teach and work in silence; but, as we learn from the Gospels, he was ever ready to utter his wise and spiritual words. What, I asked myself, would he say, were he to come in among us, and see his image on earth thus mumbling, and sailing backward and forward ? The "Venio iterum crucifigi" again crossed my mind, and I nudged my companion to come out into the freer air of the vaulted and painted hall.
Here we found a crowd of persons attentively observing the rich paintings; for the Festival of All Souls is also the holiday of all the artists in Rome. Not only the chapel, but the whole palace also, with all its rooms, is for many hours on this day open and free to every one; no fees being required, and the visitors not being liable to be hurried on by the chamberlain.
The paintings on the walls engaged my attention, and I now formed a new acquaintance with some excellent artists whose very names had hitherto been almost unknown to me. For instance, I now, for the first time, learned to appreciate and to love the cheerful Carlo Maratti.
But chiefly welcome to me were the masterpieces of the artists of whose style and manner I already had some impression. I saw with amazement the wonderful Petronilla of Guercino, which was formerly in St. Peter's, where a mosaic copy now stands in the place of the original. The body of the saint is lifted out of the grave; and the same person, just reanimated, is being received into the heights of heaven by a celestial youth. Whatever may be alleged against this double action, the picture is invaluable.
Still more struck was I with a picture of Titian's. It throws into the shade all I have hitherto seen. Whether my eye is more practised, or whether it is really the most excellent, I cannot determine. An immense mass-robe, stiff with embroidery and gold-embossed figures,
