buyers and sellers, who, terribly frightened, are nimbly huddling up their wares, and hurrying down the steps on both sides. In another church there is a room over the entrance, which is richly ornamented with frescoes representing the deprivation of Heliodorus.[1] Luca Giordano must indeed have painted rapidly, to fill such large areas in a lifetime. The pulpit, too, is here not always a mere cathedra, as it is in other places,—a place where one only may teach at a time,—but a gallery. Along one of these I once saw a Capuchin walking up down, and, now from one end, now from another, reproaching the people with their sins. What a deal I could say about it!
But neither to be told nor to be described is the glory of a night of the full moon such as we have enjoyed here. Wandering through the streets and squares, and on the quay, with its long promenade, and then backward and forward on the beach, one felt really possessed with the feeling of the infinity of space. So to dream is really worth all trouble.
I made to-day the acquaintance of an excellent individual, and I must briefly give you a general description of him. It is the Chevalier Filangieri, famous for his work on legislation. He belongs to those noble young men who wish to promote the happiness and the moderate liberty of mankind. In his bearing you recognise at once the soldier, the chevalier, and the man of the world; but this appearance is softened by an expression of tender moral sensibility, which is diffused over his whole countenance, and shines forth most agreeably in his character and conversation. He
- ↑ Heliodorus, Bishop of Tricca, in Thessaly, in the fourth century, author of the "Œthiopics, or, the Amours of Theagenes and Chariclea," was, it is said, deprived of his bishopric for writing this work.—A. W. M.
