contrived to enlarge my knowledge, being greatly helped by Winckelmann's never failing clues, which safely led the way through all the different epochs of art. The prince, who was well informed in all these matters, when he saw that he had before him not a connoisseur, but an attentive amateur, willingly informed me of every particular that I found it necessary to ask about.
After having given to these matters considerable time, but still far less than they deserved, we were on the point of taking our leave, when the prince conducted us to the princess, his mother, in whose apartments the smaller works of art are to be seen.
We found a venerable, naturally noble lady, who received us with the words, "Pray look round my room, gentlemen: here you still see all that my late husband collected and arranged for me. This I owe to the affection of my son, who not only allows me still to reside in his best room, but has even forbidden the least thing to be taken away or removed that his late father purchased for me and chose a place for. Thus I enjoy a double pleasure: not only have I been able these many years to live in my usual ways and habits, but have also, as formerly, the opportunity to see and form the acquaintance of those worthy strangers who come hither from widely distant places to examine our treasures."
She thereupon, with her own hands, opened for us the glass case in which the works in amber were preserved. Sicilian amber is distinguished from the northern by its passing from the transparent and nontransparent—from the wax and the honey-coloured—through all possible shades of a deep yellow, to the most beautiful hyacinthian red. In the case there were urns, cups, and other things, for executing which, large pieces of a marvellous size must have been necessary: for such objects, and also for cut shells such
