wrathful Deity depicted by the Hebrews. This was strengthened by the foolish conduct of those around him, who, on the occasion of a terrible thunder-storm which shattered the windows, dragged him and his sister into a dark passage, "where the whole household, distracted with fear, tried to conciliate the angry Deity by frightful groans and prayers." Many children are thus made skeptics.
The doubts which troubled Wolfgang gradually subsided. In his family circle he was the silent reflective listener to constant theological debates. The various sects separating from the established church all seemed to be animated by the one desire of approaching the Deity, especially through Christ, more nearly than seemed possible through the ancient forms. It occurred to him that he, also, might make such an approach, and in a more direct way. Unable to ascribe a form to the Deity, he "resolved to seek him in his works, and in the good old Bible fashion, to build an altar to Him." For this purpose he selected some types, such as ores and other natural productions, and arranged them in symbolical order on the ranges of a music stand; on the apex was to be a flame typical of the soul's aspiration, and for this a pastille did duty. Sunrise was awaited with impatience. The glittering of the housetops gave signal; he applied a burning-glass to the pastille, and thus was the worship consummated by a priest of seven years old, alone in his bedroom![1]
Lest the trait just cited should make us forget that we are tracing the career of a child, it may be well to recall the anecdote related by Bettina, who had it from his mother; it will serve to set us right as to the childishness. One day his mother, seeing him from
- ↑ A similar anecdote is related of himself by that strange Romancist, once the idol of his day, and now almost entirely forgotten, Restif de la Bretonne. — See "Les Illuminés," par Gérard de Nerval.
