with the actors, and introduced him "behind the scenes." At ten years of age to go "behind the scenes" means a great deal. We shall see hereafter how early he was introduced behind the scenes of life. For the present let it be noted that he was a frequenter of the greenroom, and admitted into the dressing-room where the actors and actresses dressed and undressed with philosophic disregard to appearances; and this, from repeated visits, he also learned to regard as quite natural.
A grotesque scene took place between these two boys. Derones excelled, as he affirmed, in "affairs of honour." He had been engaged in several, and had always managed to disarm his antagonist, and then nobly forgive him. One day he pretended that Wolfgang had insulted him: satisfaction was peremptorily demanded, and a duel was the result. Imagine Wolfgang, aged twelve, arrayed in shoes and silver buckles, fine woollen stockings, dark serge breeches, green coat with gold facings, a waistcoat of gold cloth, cut out of his father's wedding waistcoat, his hair curled and powdered, his hat under his arm, and little sword with silk sword-knot. This little mannikin stands opposite his antagonist with theatrical formality; swords clash, thrusts come quick upon each other, the combat grows hot when the point of Derones's rapier lodges in the bow of Wolfgang's sword-knot; hereupon the French boy, with great magnanimity, declares that he is satisfied! The two embrace, and retire to a café to refresh themselves with a glass of almond milk.[1]
Theatrical ambition, which stirs us all, soon prompted Wolfgang. As a child he had imitated Terence; he was now to make a more elaborate effort in the style of Piron. When the play was completed he submitted
- ↑ To remove incredulity, it may be well to remind the reader that to this day German youths fight out their quarrels with swords—not fists.
