rank, and on occasions of meetings of creditors and imperial commissions frequently came into contact with my father. They had a high opinion of each other, and commonly stood on the side of the creditors; though they were generally obliged to perceive, much to their vexation, that a majority of the agents on such occasions are usually gained over to the side of the debtors. The counsellor of legation readily communicated his knowledge, was fond of mathematics; and, as these did not occur in his present course of life, he made himself a pleasure by helping me on in this branch of study. I was thus enabled to finish my architectural sketches more accurately than heretofore, and to profit more by the instruction of a drawing-master, who now also occupied us an hour every day.
This good old man was indeed only half an artist. We were obliged to draw and combine strokes, from which eyes and noses, lips and ears, nay, at last, whole faces and heads, were to arise; but of natural or artistic forms there was no thought. We were tormented a long while with this quid pro quo of the human figure; and when the so-called Passions of Le Brun were given us to copy, it was supposed at last that we had made great progress. But even these caricatures did not improve us. Then we went off to landscapes, foliage, and all the things which in ordinary instruction are practised without consistency or method. Finally we dropped into close imitation and neatness of strokes, without troubling ourselves about the merit or taste of the original.
In these endeavours our father led the way in an exemplary manner. He had never drawn; but he was unwilling to remain behind, now that his children pursued this art, and would give, even in his old age, an example how they should proceed in their youth. He therefore copied several heads of Piazetta, from his well-known sheets in small octavo, with an English
