man times, and that the name of the master, on his modest gravestone, was likewise of native sound and origin, I ventured, being incited by the worth of this work of art, to change the hitherto decried appellation of "Gothic architecture," and to claim it for our nation as "German architecture;" nor did I fail to bring my patriotic views to light, first orally, and afterward in a little treatise dedicated to the memory of Ervinus a Steinbach.
If my biographical narrative should come down to the epoch when the said sheet appeared in print, which Herder afterward inserted in his pamphlet, "Von Deutscher Art und Kunst" ("Of German Manner and Art"), much more will be said on this weighty subject. But, before I turn from it this time, I will take the opportunity to vindicate the motto prefixed to the present volume with those who may have entertained some doubt about it. I know indeed very well, that in opposition to this honest, hopeful old German saying, "Of whatever one wishes in youth, he has abundance in old age," many would quote contrary experience, and many trifling comments might be made; but much, also, is to be said in its favour: and I will explain how I understand it.
Our wishes are presentiments of the capabilities which lie within us, and harbingers of that which we shall be in a condition to perform. Whatever we are able and would like to do, presents itself to our imagination, as without us and in the future. We feel a longing after that which we already possess in secret. Thus a passionate anticipating grasp changes the truly possible into a dreamed reality. Now, if such a bias lies decidedly in our nature, then, with every step of our development will a part of the first wish be fulfilled,—under favourable circumstances in the direct way, under unfavourable in the circuitous way, from which we always come back again to the other. Thus we
