cated to us at once all that proceeded from that extraordinary man. To these belonged his critiques and notices, inserted in the Königsberg Zeitung, all of which bore a very singular character. I possess an almost complete collection of his works, and a very important essay on Herder's prize paper concerning the origin of language, in which, in the most peculiar manner, he throws flashes of light upon this specimen of Herder.
I do not give up the hope of superintending myself, or at least furthering, an edition of Hamann's works; and then, when these documents are again before the public, it will be time to speak more closely of the author, his nature and character. In the meantime, however, I will here adduce something concerning him, especially as eminent men are still living who felt a great regard for him, and whose assent or correction will be very welcome to me. The principle to which all Hamann's expressions may be referred is this: "All that man undertakes to perform, whether by deed, by word, or otherwise, must proceed from all his powers united: everything isolated is worthless." A noble maxim, but hard to follow. To life and art it may indeed be applied: but in every communication by words, that is not exactly poetic, there is, on the contrary, a grand difficulty; for a word must sever itself, isolate itself, in order to say or signify anything. Man, while he speaks, must, for the moment, become one-sided: there is no communication, no instruction, without severing. Now, since Hamann, once for all, opposed this separation, and because he felt, imagined, and thought in unity, chose to speak in unity likewise, and to require the same of others, he came into opposition with his own style, and with all that others produced. To produce the impossible, he therefore grasps at every element: the deepest and most mystical contemplations in which nature and mind meet each
