but that by his presence he might impart a grace and be useful to the higher society. As now the regard felt for this excellent prince, who paid attention to all that was useful and beautiful, increased in consequence; so also was the veneration for Klopstock not a little heightened. Everything that emanated from him was held dear and valuable, and we carefully wrote down his odes and elegies as we could get them. We were therefore highly delighted when the great Landgravine Caroline of Hesse-Darmstadt made a collection of them; and we obtained possession of one of the few copies, which enabled us to complete our own manuscript collection. Hence those first readings have long been most in favour with us,—nay, we have often refreshed and delighted ourselves with poems which the author afterward rejected. So true it is, that the life which presses forth out of a "fine soul" works with the greater freedom the less it appears to be drawn by criticism into the department of art.
Klopstock, by his character and conduct, had managed to attain regard and dignity, both for himself and for other men of talent; now they were also, if possible, to be indebted to him for the security and improvement of their domestic condition. For the book trade, in the previous period, had more to do with important scientific books, belonging to the different faculties—with stock works, for which a moderate remuneration was paid. But the production of poetical works was looked upon as something sacred, and in this case the acceptance or increase of any remuneration would have been regarded almost as simony. Authors and publishers stood in the strangest reciprocal position. Both appeared, accordingly as it was taken, as patrons and clients. The authors, who, irrespectively of their talent, were generally respected and revered by the public as highly moral men, had a mental rank, and felt themselves rewarded by the success of their labours: the
