indeed, that I was overpowered by the subject-matter; and this he would not allow. Then Peglow's reflections, which were not of the most refined, were still worse received; but he was especially angry at our want of keenness in not seeing beforehand the contrasts of which the author often makes use, and in suffering ourselves to be moved and carried away by them without remarking the oft-returning artifice. He would not pardon us for not seeing at once, or at least suspecting at the very beginning, where Burchell is on the point of discovering himself by passing over in his narration from the third to the first person, that he himself is the lord of whom he is speaking; and when, finally, we rejoiced like children at the discovery and the transformation of the poor, needy wanderer into a rich, powerful lord, he immediately recalled the passage, which, according to the author's plan, we had overlooked, and read us a powerful lecture on our stupidity. It will be seen from this, that he regarded the work merely as a production of art, and required the same of us, who were yet wandering in that state where it is very allowable to let works of art affect us like productions of nature.
I was not at all perplexed by Herder's invectives; for young people have the happiness or unhappiness, that, when once anything has produced an effect on them, this effect must be wrought out within themselves,—from which much good, as well as much mischief, arises. The above work had left in me a great impression, for which I could not account; but, properly speaking, I felt in harmony with that ironical tone of mind which elevates itself above every object, above fortune and misfortune, good and evil, death and life, and thus attains to the possession of a truly poetical world. I could not, indeed, become conscious of this until later: it was enough that it gave me much to do at the moment; but I could by no means have
