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Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 1.djvu/455

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413
HINTS FROM HORACE.

Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
"Alas, poor Yorick!" now for ever mute!
Whoever loves a laugh must sigh for Foote.


We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When "Crononhotonthologos must die,"[1]
And Arthur struts in mimic majesty.340


Moschus! with whom once more I hope to sit,[2]

    Garden, January 12, 1762, was the latest to hold the stage. It was reproduced at the Opéra Comique in 1877.]

  1. [Henry Carey, poet and musician (d. 1743), a natural son of George Savile, Marquis of Halifax, was the author of Chrononhotonthologos, "the most tragical tragedy ever yet tragedised by any company of tragedians," which was first played at the Haymarket, February 22, 1734. The well-known lines, "Go, call a coach, and let a coach be called," etc., which Scott prefixed to the first chapter of The Antiquary, are from the last scene, in which Bombardinion fights with and kills the King Chrononhotonthologos. But his one achievement was Sally in our Alley, of which he wrote both the words and the music. The authorship of "God Save the King" has been attributed to him, probably under a misapprehension.]
  2. Hobhouse, since we have roved through Eastern climes,
    While all the Ægean echoed to our rhymes,
    And bound to Momus by some pagan spell
    Laughed, sang and quaffed to "Vive la Bagatelle!"—[MS. L. (a).]

    Hobhouse, with whom once more I hope to sit
    And smile at what our Stage retails for wit.
    Since few, I know, enjoy a laugh so well
    Sardonic slave to "Vive la Bagatelle"
    So that in your's like Pagan Plato's bed
    They'll find some book of Epigrams when dead.—[MS. L. (b).]