Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 2.djvu/187

This page has been proofread, but needs to be validated.
CANTO II.]
CHILDE HAROLD’S PILGRIMAGE.
153

LXXX.

Loud was the lightsome tumult on the shore,[1]
Oft Music changed, but never ceased her tone,
And timely echoed back the measured oar,
And rippling waters made a pleasant moan:
The Queen of tides on high consenting shone,
And when a transient breeze swept o'er the wave,
'Twas, as if darting from her heavenly throne,
A brighter glance her form reflected gave,
Till sparkling billows seemed to light the banks they lave.


LXXXI.

Glanced many a light Caique along the foam,
Danced on the shore the daughters of the land,
No thought had man or maid of rest or home,
While many a languid eye and thrilling hand
Exchanged the look few bosoms may withstand,
Or gently prest, returned the pressure still:
Oh Love! young Love! bound in thy rosy band,
Let sage or cynic prattle as he will,
These hours, and only these, redeem Life's years of ill![2]


  1. [These al-fresco festivities must, it is presumed, have taken place on the two days out of the seven when you "might not 'damn the climate' and complain of the spleen." Hobhouse records excursions to the Valley of Sweet Waters; to Belgrade, where "the French minister gave a sort of fête-champêtre," when "the carousal lasted four days," and when "night after night is kept awake by the pipes, tabors, and fiddles of these moonlight dances;" and to the grove of Fanar-Baktchesi.—Travels in Albania, ii. 242-258.]
  2. ["There's nothing like young Love, No! No!
    There's nothing like young love at last."]