Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 2.djvu/437

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CANTO IV.]
CHILDE HAROLD’S PILGRIMAGE.
395

LXXXVI.

The third of the same Moon whose former course
Had all but crowned him, on the selfsame day
Deposed him gently from his throne of force,
And laid him with the Earth's preceding clay.
And showed not Fortune thus how fame and sway,
And all we deem delightful, and consume
Our souls to compass through each arduous way,
Are in her eyes less happy than the tomb?
Were they but so in Man's, how different were his doom!


LXXXVII.

And thou, dread Statue![1] yet existent inN24
The austerest form of naked majesty—
Thou who beheldest, 'mid the assassins' din,
At thy bathed base the bloody Cæsar lie,
Folding his robe in dying dignity—
An offering to thine altar from the Queen
Of gods and men, great Nemesis! did he die,
And thou, too, perish, Pompey? have ye been
Victors of countless kings, or puppets of a scene?


    Dunbar [1650]; a year afterwards he obtained "his crowning mercy" of Worcester [1651]; and a few years after [1658], on the same day, which he had ever esteemed the most fortunate for him, died.

  1. [The statue of Pompey in the Sala dell' Udinanza of the Palazzo Spada is no doubt a portrait, and belongs to the close of the Republican period. It cannot, however, with any certainty be identified with the statue in the Curia, at whose base "great Cæsar fell." (See Antike Bildwerke in Rom., F. Matz, F. von Duhn, i. 309.)]