INTRODUCTION TO WERNER.
Werner; or, The Inheritance, was begun at Pisa, December 18, 1821, and finished January 20, 1822. At the end of the month, January 29, Byron despatched the MS., not to Murray, but to Moore, then in retreat at Paris, intending, no doubt, that it should be placed in the hands of another publisher; but a letter from Murray "melted him," and on March 6, 1822 (Letters, 1901, vi. 34), he desired Moore to forward the packet to Albemarle Street. The play was set up in type, and revised proofs were returned to Murray at the end of June; but, for various reasons, publication was withheld, and, on October 31, Byron informed John Hunt that he had empowered his friend Douglas Kinnaird to obtain Werner, with other MSS., from Murray. None the less, milder counsels again prevailed, and on Saturday, November 23, 1822, Werner was published, not in the same volume with Heaven and Earth, as Byron intended and expected, nor by John Hunt, as he had threatened, but by itself, and, as heretofore, by John Murray. Werner was "the last of all the flock" to issue from Murray's fold.
In his Preface to Werner (vide post, p. 337) Byron disclaims all pretensions to originality. "The following drama," he writes, "is taken entirely from the 'German's Tale, Kruitzner,' published . . . in Lee's Canterbury Tales.... I have adopted the characters, plan, and even the language, of many parts of this story." Kruitzner seems to have made a deep impression on his mind. When he was a boy of thirteen (i.e. in 1801, when the fourth volume of the Canterbury Tales was published), and again in 1815, he set himself to turn the tale into a drama. His first attempt, named Ulric and Ilvina, he threw into the fire, but he had nearly completed the first act of his second and maturer adaptation when he was "interrupted by circumstances," that is, no doubt, the circumstances which led up to and ended in
