Page:The Works of the Rev. Jonathan Swift, Volume 17.djvu/108

This page has been proofread, but needs to be validated.
102
A KEY TO THE LOCK.

Now that the author of this poem is a reputed papist, is well known; and that a genius so capable of doing service to that cause may have been corrupted in the course of his education by Jesuits or others, is justly very much to be suspected; notwithstanding that seeming coolness and moderation, which he has been {perhaps artfully) reproached with by chose of his own persuasion. They are sensible, that this nation is secured by good and wholesome laws to prevent all evil practices of the church of Rome; particularly the publication of books, that may in any sort propagate that doctrine: their authors are therefore obliged to couch their designs the deeper; and though I cannot aver the intention of this gentleman was directly to spread popish doctrines, yet it comes to the same point if he touch the government: for the court of Rome knows very well, that the church at this time is so firmly founded on the state, that the only way to shake the one, is, by attacking the other.

What confirms me in this opinion is an accidental discovery I made of a very artful piece of management among his popish friends and abettors, to hide his whole design upon the government, by taking all the characters upon themselves.

Upon the day that this poem was published, it was my fortune to step into the Cocoa-tree, where a certain gentleman was railing very liberally at the author, with a passion extremely well counterfeited, for having (as he said) reflected upon him in the character of Sir Plume. Upon his going out, I inquired who he was, and they told me he was a Roman catholick knight.

I was the same evening at Will's, and saw a circle

round