CHAP. V.
Of the true genius for the profund, and by what it is constituted.
AND I will venture to lay it down as the first maxim, and corner-stone of this our art, that whoever would excel therein, must studiously avoid, detest, and turn his head from all the ideas, ways, and workings of that pestilent foe to wit, and destroyer of fine figures, which is known by the name of common sense. His business must be to contract the true goût de travers; and to acquire a most happy, uncommon, unaccountable way of thinking.
He is to consider himself as a grotesque painter, whose works would be spoiled by an imitation of nature, or uniformity of design. He is to mingle bits of the most various, or discordant kinds, landscape, history, portraits, animals; and connect them with a great deal of flourishing, by head or tail, as it shall please his imagination, and contribute to his principal end; which is, to glare by strong oppositions of colours, and surprise by contrariety of images.
Serpentes avibus geminentur, tigribus agni. Hor.
His design ought to be like a labyrinth, out of which no body can get clear but himself. And since the great art of all poetry is to mix truth with fiction, in order to join the credible with the surprising,
our
