losing the distinction now; the cry for realism, naked and unashamed, is borne in upon us from every side:
"Rip your brother's vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence—forward—naked—let them stare."
But there was an Emperor once (we know the story) who went forth among his people naked. It was said that he wore fairy clothes, and that only the unwise could fail to see them. At last a little child raised its voice from the crowd! "Why, he has nothing on," it said. And so these writers of ours go out from day to day, girded on, they would have us believe, with the garments of art; and fashion has lacked the courage to cry out with the little child: "They have nothing on." No robe of art, no texture of skill, they whirl before us in a bacchanalian dance naked and unashamed. But the time will come, it must, when the voices of the multitude will take up the cry of the child, and the revellers will hurry to their houses in dismay. Without dignity, without self-restraint, without the morality of art, literature has never survived; they are the few who rose superior to the baser levels of their time, who stand unimpugned among the immortals now. And that mortal who would put on immortality must first assume that habit of reticence, that garb of humility by which true greatness is best known. To endure restraint that is to be strong.
