become an author.[1] In other branches of art from time to time some obvious merit becomes visible on the surface, but in the domain of poetry, during nearly fourteen centuries previous to the fall of the Empire, a single name only, that of Claudian, survives to remind us that both Greeks and Latins once possessed the faculty of expressing themselves in verse with nobility of thought and felicity of diction. Poetasters existed in abundance, but without exception their compositions exemplify the futility of striving after an object which in that age had resolved itself into the unattainable. The usefulness of prose as a medium of information, however low may be its literary level, often compensates us for lack of talent in an author; and the bald chronicler, who plagiarized his predecessors in the same field and presented their work as his own, is sometimes as welcome to the investigator as a writer of more ambitious aims. In these barren centuries, however, history and theology are occasionally illustrated by some work of original power.
In the foregoing paragraphs I have dealt with education in relation only to the male sex, and it remains for me to say a few words respecting the mental training of the female. In keeping with the rule as to their social seclusion, the instruction of girls was conducted in the privacy of the family circle. There they received, in addition to the usual rudiments, a certain tincture of polite learning, which implied the methodical reading of Homer and a limited acquaintance with some of the other Greek poets and the dramatists.[2]*
- ↑ Oribasius, physician to Julian, seems to be the genuine father of bookmaking, the real prototype of the "scissors and paste" author, but he foreran the swarming of the brood by a couple of centuries.
- ↑ Gregory Nys., De Vit. S. Macrinae (in Migne, iii, 960). Whence it appears that it was unusual for them to be taught to apply themselves
