Having inspected the outside of Constantinople, it now remains for us to enter the city and pass in review its principal streets, buildings, and open spaces, whence we shall be led to make some acquaintance with the manners and customs of its inhabitants. From the Gate of Eugenius we can proceed directly to the most aristocratic quarter, where a majority of the public buildings are clustered round the Imperial Palace. Inside we shall find that thoroughfares of three kinds intersect the city for the purposes of general traffic: (1) main or business streets; (2) squares or market-places; and (3) lanes or side-streets for private residents.
(1) A main street consists of an open paved road, not more than fifteen feet wide, bounded on each side by a colonnade or portico. More than fifty of such porticoes are in existence at this date, so that a pedestrian can traverse almost the whole city under shelter from sun or rain.[1] Many of them have an upper floor, approached by wooden or stone steps, which is used as an ambulacrum or promenade. They are plentifully adorned with statuary of all kinds, especially above,[2] and amongst these presentments of the reigning emperor are not infrequent. The latter may be seen in busts of brass and marble, in brazen masks, and even in painted tablets.[3] Such images are consecrated and are sometimes*
- ↑ Chrysoloras, loc. cit. The Notitia enumerates fifty-two, which we may understand to be pairs, before the enlargement by Theodosius.
- ↑ Codin., p. 22. In this account the patricians, who accompanied Constantine, are represented as undertaking many of the public buildings at their own expense. See also Nonius Marc. (in Pancirolo ad Notit.). In this case a testator wills that a portico with silver and marble statues be erected in his native town.
- ↑ Cod. Theod., XV, i, 44; iv; vii, 12, etc., with Godfrey's commentary. The imperial portraits were painted in white on a blue ground; Chrysostom, 1 Cor., x, 1 (in Migne, iii, 247). "The countenance of the
