shifts and trickeries of this diversion, even though of base origin, received universal homage as a man of eminence and distinction.[1] Musicians were often entertained with honour in rich houses, singers being in great request, as well as performers on the hydraulic organ or the lyre, which had been increased to such a size as to exceed the modern harp.[2] The era of light fiction had not begun, but some solace was found in perusing the satires of Juvenal, who attracted by his indecencies in spite of his ethics, and the compositions of Marius Maximus, the author of copious and scandalous biographies of the Caesars.[3] In their excursions out of doors both men and women of the wealthy classes assumed the pomp of a royal progress. The noble occupant of an ornate gilded coach was attended by stewards who marshalled all the servile members of the household in a lengthy procession. First came the handsome and finely-dressed slaves addicted to light employments; then a grimy crew of those who were busied about the kitchen; and lastly a company of eunuchs in two bands, those in front being old men with wrinkled and distorted features, and behind a troop of boy castrates who were prized for their fresh appearance.[4] Costly apparel was the special extravagance of a certain class; and when walking they displayed themselves clad in layer upon layer of fine mantles, held at the neck only by a jewelled clasp, so that the loose folds constantly flying open might exhibit their variegated embroideries picturing the forms of
- ↑ Ammianus, xxviii, 4. The modern craze for "Bridge" may be compared, and with the aid of Father Vaughan's denunciations of the "Smart Set" at the West End, the parallel might be carried further. But all this is merely a subsidiary part of our social fabric.
- ↑ Ibid., xiv, 6.
- ↑ Ibid., xxviii, 4.
- ↑ Ibid., xiv, 6.
