ter's poems is certain to induce that mood in which one will regretfully speculate on what the young poet might have accomplished had he not been cut off so soon.
As intimated above, my original idea for this book underwent a change in the writing of the introduction. I first planned to select twenty-five to thirty poems which I judged to be up to a certain standard, and offer them with a few words of introduction and without comment. In the collection, as it grew to be, that "certain standard" has been broadened if not lowered; but I believe that this is offset by the advantage of the wider range given the reader and the student of the subject.
I offer this collection without making apology or asking allowance. I feel confident that the reader will find not only an earnest for the future, but actual achievement. The reader cannot but be impressed by the distance already covered. It is a long way from the plaints of George Horton to the invectives of Claude McKay, from the obviousness of Frances Harper to the complexness of Anne Spencer. Much ground has been covered, but more will yet be covered. It is this side of prophecy to declare that the undeniable creative genius of the Negro is destined to make a distinctive and valuable contribution to American poetry.
I wish to extend my thanks to Mr. Arthur A. Schomburg, who placed his valuable collection of books by Negro authors at my disposal. I wish also to acknowledge with thanks the kindness of Dodd, Mead & Co. for permitting the reprint of poems by Paul Laurence Dunbar;
