ing "Mart" So-and-So's of our village; or possibly (and this I liked best of all, I think), the conversation would flag, and old Jason Andcut would begin whistling softly to himself. Then I was all ears. Such a tone as he had, especially in the lower register! And such trills and bewitching turns of melody! Why, it was almost as good as the Weymouth Band, which in those days was every whit as famous as the Boston Symphony Orchestra is now. When it played the "Wood-up Quickstep" or "Departed Days," the whole town was moved, and one boy that I knew was almost in heaven.
In fact, ours was a musical community. The very man who now occupied the armchair in front of the stove (how plainly he comes before me as I write, taking snuff and reading the shopkeeper's newspaper of the evening before) had acquired the competency of which he was supposed to be possessed by playing the flute (or was it the clarinet?) in a Boston theatre orchestra; and at this very minute three younger men of the village were getting rich in the same sure and easy
