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THE CLERK OF THE WOODS

ing for the water, set with rosy bloom. My attention is drawn to it by the humming of bees, a busy, contented, content-producing sound. How different from the hum of the factory that I passed an hour ago, through the open windows of which I saw men hurrying over "piece-work," every stroke like every other, every man a machine, or part of a machine, rather, for doing one thing. I wonder whether the dreariness of the modern "factory system" may not have had something to do with the origin and rapid development of our nineteenth-century breed of peripatetic thieves and beggars.

Above the music of the bees I hear, of a sudden, a louder hum. "A hummingbird," I say, and turn to look at a jewel-weed. Yes, the bird is there, trying the blossoms one after another. Then she drops to rest upon an alder twig (always a dead one) directly under my nose, where I see her darting out her long tongue, which flashes in the sunlight. I say "she." She has a whitish throat, and is either a female or a male of the present season. Did any one ever see a hummingbird without a thrill of pleasure? Not I.