the grace of God, to have had his eyes opened to natural beauty and his heart made sensitive to the delights of solitude. I have learned that it is possible to enjoy scenery at home as well as abroad,—scenery without mountains or waterfalls; scenery that no tourist would call "fine;" a bit of green valley, an ancient apple orchard, a woodland vista, an acre of marsh, a cattle pasture. In fact, I have observed that painters choose quiet subjects like these oftener than any of the more exceptional and stupendous manifestations of nature. Perhaps it is because such subjects are easier; but I suspect not. I suspect, indeed, that they are harder, and are preferred because, to the painter's eye, they are more permanently beautiful.
At this very moment I am looking at a patch of meadow inclosing a shallow pool of standing water, over the surface of which a high wind is chasing little waves. A few low alders are near it, and the grass is green all about. That of itself is a sight to make a man happy. For the world just now is consumed with drought. All the uplands are sere, and every roadside bush is begrimed
