the time had come for the development of a national drama; he set forth this view in a masterly argument addressed to the Storthing; and he gave practical effect to it by establishing, at his own risk, a Norwegian Theatre in Bergen. How rightly he had judged the situation may be estimated from the fact that among the raw lads who first presented themselves for employment was Johannes Brun, afterwards one of the greatest of comedians; while the first "theatre-poet" engaged by the management was none other than Henrik Ibsen.
The theatre was opened on January 2, 1850; Ibsen entered upon his duties (at a salary of less than £70 a year) in November 1851.[1]
Incredibly, pathetically small, according to our ideas, were the material resources of Bull's gallant enterprise. The town of Bergen numbered only 25,000 inhabitants. Performances were given only twice, or, at the outside, three times, a week; and the highest price of admission was two shillings. What can have been attempted in the way of scenery and costumes it is hard to imagine. Of a three-act play, produced in 1852, we read that "the mounting, which cost £22 10s., left nothing to be desired."
Ibsen's connection with the Bergen Theatre lasted from November 6, 1851, until the summer of 1857—that is to say, from his twenty-fourth to his thirtieth year. He was engaged in the first instance "to assist the theatre as dramatic author," but in the following year he received from the management a "travelling stipend" of £45 to enable him to study the art of
- ↑ The history of Ibsen's connection with the Bergen Theatre is written at some length in an article by me, entitled "Ibsen's Apprenticeship," published in the Fortnightly Review for January 1904. From that article I quote freely in the following pages.
