DEFOE
passions and desires which have moved men and women since the beginning of time, and thus even now they keep their vitality undiminished. There is a dignity in everything that is looked at openly. Even the sordid subject of money, which plays so large a part in their histories, becomes not sordid but tragic when it stands not for ease and consequence but for honour, honesty and life itself. You may object that Defoe is humdrum, but never that he is engrossed with petty things.
He belongs, indeed, to the school of the great plain writers, whose work is founded upon a knowledge of what is most persistent, though not most seductive, in human nature. The view of London from Hungerford Bridge, grey, serious, massive, and full of the subdued stir of traffic and business, prosaic if it were not for the masts of the ships and the towers and domes of the city, brings him to mind. The tattered girls with violets in their hands at the street corners, and the old weather-beaten women patiently displaying their matches and bootlaces beneath the shelter of arches, seem like characters from his books. He is of the school of Crabbe, and of Gissing, and not merely a fellow pupil in the same stern place of learning, but its founder and master.
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