GEORGE ELIOT
Yet, dismiss the heroines without sympathy, confine George Eliot to the agricultural world of her “remotest past”, and you not only diminish her greatness but lose her true flavour. That greatness is here we can have no doubt. The width of the prospect, the large strong outlines of the principal features, the ruddy light of the early books, the searching power and reflective richness of the later tempt us to linger and expatiate beyond our limits. But it is upon the heroines that we would cast a final glance. “I have always been finding out my religion since I was a little girl,” says Dorothea Casaubon. “I used to pray so much—now I hardly ever pray. I try not to have desires merely for myself. . . ." She is speaking for them all. That is their problem. They cannot live without religion, and they start out on the search for one when they are little girls. Each has the deep feminine passion for goodness, which makes the place where she stands in aspiration and agony the heart of the book—still and cloistered like a place of worship, but that she no longer knows to whom to pray. In learning they seek their goal; in the ordinary tasks of womanhood; in the wider service of their kind. They do not find what they seek, and we cannot wonder. The ancient consciousness of woman, charged with suffering and sensibility, and for so many ages dumb, seems in them to have brimmed and overflowed and uttered a demand for something—they scarcely know what—for something that is perhaps incompatible with the facts of human existence. George
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