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LUCY TAKES UP THE NARRATIVE
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Bob gave it to her immediately. "You're going to finish it then?" he asked, alarmed.

"I don't know," said Ruth, wide-eyed, a little alarmed herself, I think. "I don't know. I must think it over." She crossed the room to the secretary, opened the glass door, and placed the book on one of the high shelves. "There," she said, "there it is." Then turning around she added, "I'll let you know when I decide, Bob. And now I guess I'll go upstairs, if you don't mind. These walking-shoes are so heavy. Good-by." And she fled, on the verge of what I feared was tears.

Both Bob and Ruth were so surprised at the appearance of this sudden and unlooked-for issue that I felt convinced it was their first difference of opinion. I was worried. I couldn't foretell how it would come out. Their friendship had been brief—perhaps too brief. Their engagement was only four weeks old. They loved—I was sure of that—but they didn't know each other very well. Old friend of Will's and mine as Robert Jennings is, I knew him to be conservative, steeped in traditions since childhood. Robert idealizes everything mellowed by age, from pictures and literature to laws and institutions. Ruth, on the other hand, is a pronounced modernist. It doesn't make much difference whether it's a hat or a novel, if it's new and up to date Ruth delights in it.

I poured out my misgivings to Will that night behind closed doors. Will had never had a high opinion of Ruth.