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THE DARK AGES
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a pleasant proof that the Whityngdons were not unmindful of the source whence sprang their wealth and distinction.

What makes the historian so eager to dwell long and lovingly upon every page gilded by Pussy's triumphs is the deepening gloom through which we see her little figure steal frightened and forlorn. For centuries she is hidden from our sight; and, when she emerges out of the unknown, a strange and melancholy change has come over her fortunes. Here and there we find such scanty proof as I have offered of toleration, and even of esteem, on the score of usefulness; but, as she grew in time to be a familiar object in the homes of men, they looked at her askance with cruel and troubled eyes. The god of Egypt, the plaything of Rome, became, by some sad ill chance, a symbol of evil things. Her beauty, her grace, her gentleness availed her nothing. She was the witch's friend, and on many a murky midnight had gazed unblinkingly upon shameful spells. The Prince of the Power of Darkness had taken her for his own, and she dwelt by the hearths of men to lure them to destruction. The cat that served seven masters, each for seven years, carried the soul of the seventh into Hell. Like the were-wolf, she set free the primitive, bestial impulses of humanity. The wife who left her sleeping husband's side to share the obscene revels