Page:The four horsemen of the Apocalypse - (Los cuatro jinetes de Apocalipsis) (IA cu31924014386738).djvu/188

This page has been proofread, but needs to be validated.
164
FOUR HORSEMEN OF THE APOCALYPSE

monument illuminated its gigantic bases and the feet of the sculptured groups. Further up, the vaulted spaces were so locked in shadow that they had the black density of ebony.

Upon passing under the Arch, which greatly intensified the echo of their footsteps, they came to a standstill. The night breeze had a wintry chill as it whistled past, and the curved masses seemed melting into the diffused blue of space. Instinctively the three turned to glance back at the Champs Élysées. They saw only a river of shadow on which were floating rosaries of red stars among the two long, black scarfs formed by the buildings. But they were so well acquainted with this panorama that in imagination they mentally saw the majestic sweep of the avenue, the double row of palaces, the place de la Concorde in the background with the Egyptian obelisk, and the trees of the Tuileries.

"How beautiful it is!" exclaimed Tchernoff who was seeing something beyond the shadows. "An entire civilization, loving peace and pleasure, has passed through here."

A memory greatly affected the Russian. Many an afternoon, after lunch, he had met in this very spot a robust man, stocky, with reddish beard and kindly eyes—a man who loked like a giant who had just stopped growing. He was always accompanied by a dog. It was Jaurés, his friend Jaurés, who before going to the senate was accustomed to taking a walk toward the Arch from his home in Passy.

"He liked to come just where we are now! He loved to look at the avenues, the distant gardens, all of Paris which can be seen from this height; and filled with admiration, he would often say to me, 'This is magnificent—one of the most beautiful perspectives that can be found in the entire world.' … Poor Jaurés!"