as the figures by Rude in the Arc de Triomphe. The "affinity" and the boy were trudging along the sidewalk so as to accompany him to the station. For a moment he took his eyes from them to speak with a companion in the line, shaven and serious-looking, undoubtedly the priest whom he had met the day before. Now they were talking confidentially, intimately, with that brotherliness which contact with death inspires in mankind.
The millionaire followed the carpenter with a look of respect, immeasurably increased since he had taken his part in this human avalanche. And this respect had in it something of envy, the envy that springs from an uneasy conscience.
Whenever Don Marcelo passed a bad night, suffering from nightmare, a certain terrible thing—always the same—would torment his imagination. Rarely did he dream of mortal peril to his family or self. The frightful vision was always that certain notes bearing his signature were presented for collection which he, Marcelo Desnoyers, the man always faithful to his bond, with a past of immaculate probity, was not able to pay. Such a possibility made him tremble, and long after waking his heart would be oppressed with terror. To his imagination this was the greatest disgrace that a man could suffer.
Now that war was overturning his existence with its agitations, the same agonies were reappearing. Completely awake, with full powers of reasoning, he was suffering exactly the same distress as when in his horrible dreams he saw his dishonored signature on a protested document.
All his past was looming up before his eyes with such extraordinary clearness that it seemed as though until then his mind must have been in hopeless confusion.
