"Though the cup be everso clean."—Locke cor. "Seldom, or never, did any one rise to eminence, by being a witty lawyer." Or thus: "Seldom, if ever, has any one risen to eminence, by being a witty lawyer."—Dr. Blair cor. "The second rule which give, respects the choice of the objects from which metaphors, and other figures, are to be drawn."—Id. "In the figures which it uses, it sets mirrors before us, in which we may behold objects reflected in their likeness."—Id. "Whose business it is, to seek the true measures of right and wrong, and not the arts by which he may avoid doing the one, and secure himself in doing the other."—Locke cor. "The occasions on which you ought to personify things, and those on which you ought not, cannot be stated in any precise rule."—Cobbett cor. "They reflect that they have been much diverted, but scarcely can they say about what."—Kames cor. "The eyebrows and shoulders should seldom or never be remarked by any perceptible motion."—J. Q. Adams cor. "And the left hand or arm should seldom or never attempt any motion by itself."—Id., right. "Not every speaker purposes to please the imagination."—Jamieson cor. "And, like Gallio, they care for none of these things." Or: "And, like Gallio, they care little for any of these things."—S. cor. "They may inadvertently be used where their meaning would be obscure."—L. Murray cor. "Nor can a man make him laugh."—Shak. cor. "The Athenians, in their present distress, scarcely knew whither to turn."—Goldsmith cor. "I do not remember where God ever delivered his oracles by the multitude."—Locke cor. "The object of this government is twofold, outward and inward."—Barclay cor. "In order rightly to understand what we read"—R. Johnson cor. "That a design had been formed, to kidnap or forcibly abduct Morgan."—Col. Stone cor. "But such imposture can never long maintain its ground."—Dr. Blair cor. "But surely it is as possible to apply the principles of reason and good sense to this art, as to any other that is cultivated among men."—Id. "It would have been better for you, to have remained illiterate, and even to have been hewers of wood."—L. Murray cor. "Dissyllables that have two vowels which are separated in the pronunciation, always have the accent on the first syllable."—Id. "And they all turned their backs, almost without drawing a sword." Or: "And they all turned their backs, scarcely venturing to draw a sword."—Kames cor. "The principle of duty naturally takes precedence of every other."—Id. "Not all that glitters, is gold."—Maunder cor. "Whether now, or everso many myriads of ages hence."—Edwards cor.
"England never did, nor ever shall,
Lie at the proud foot of a conqueror."—Shak. cor.
LESSON IX.—CONJUNCTIONS.
"He readily comprehends the rules of syntax, their use in the constructing of sentences, and their applicability to the examples before him."—Greenleaf cor. "The works of Æschylus have suffered more by time, than those of any other ancient tragedian."—Dr. Blair cor. "There is much more story, more bustle, and more action, than on the French theatre."—Id. (See Obs. 8th on Rule 16th.) "Such an unremitted anxiety, or such a perpetual application, as engrosses all our time and thoughts, is forbidden."—Jenyns cor. "It seems to be nothing else than the simple form of the adjective."—Wright cor. "But when I talk of reasoning, I do not intend any other than such as is suited to the child's capacity."—Locke cor. "Pronouns have no other use in language, than to represent nouns."—Jamieson cor. "The speculative relied no farther on their own judgement, than to choose a leader, whom they implicitly followed."—Kames cor. "Unaccommodated man is no more than such a poor, bare, forked animal as thou art."—Shak. cor. "A Parenthesis is a suggestion which is introduced into the body of a sentence obliquely, and which may be omitted without injuring the grammatical construction."—Mur. et al. cor. "The Caret (marked thus ^) is placed where something that happened to be left out, is to be put into the line."—Iid. "When I visit them, they shall be cast down."—Bible cor. "Neither our virtues nor our vices are all our own."—Johnson and Sanborn cor. "I could not give him so early an answer as he had desired."—O. B. Peirce cor. "He is not so tall as his brother."—Nixon cor. "It is difficult to judge whether Lord Byron is serious or not."—Lady Blessington cor. "Some nouns are of both the second and the third declension."—Gould cor. "He was discouraged neither by danger nor by misfortune."—Wells cor. "This is consistent neither with logic nor with history."—Dial cor. "Parts of sentences are either simple or compound."—David Blair cor. "English verse is regulated rather by the number of syllables, than by feet:" or,—"than by the number of feet."—Id. "I know not what more he can do, than pray for him."—Locke cor. "Whilst they are learning, and are applying themselves with attention, they are to be kept in good humour."—Id. "A man cannot have too much of it, nor have it too perfectly."—Id. "That you may so run, as to obtain; and so fight, as to overcome." Or thus: "That you may so run, that you may obtain; and so fight, that you may overcome."—Penn cor. "It is the artifice of some, to contrive false periods of business, that they may seem men of despatch."—Bacon cor. "'A tall man and a woman.' In this phrase, there is no ellipsis; the adjective belongs only to the former noun; the quality respects only the man."—Ash cor. "An abandonment of the policy is neither to be expected nor to be desired."—Jackson cor. "Which can be acquired by no other means than by frequent exercise in speaking."—Dr. Blair cor. "The chief or fundamental rules of syntax are common to the English and the Latin tongue." Or:—"are applicable to the English as well as to the Latin tongue."—Id. "Then I exclaim, either that my antagonist is void of all taste, or that his taste is corrupted in a miserable degree." Or thus: "Then I exclaim, that my antagonist is either void of all taste, or has a taste that is miserably corrupted."—Id. "I cannot pity any one who is under no distress either of body or of mind."—Kames cor. "There was much genius in
