owledge of the ordinary powers of the letters would be vastly more common, were there not much hereditary negligence respecting the manner in which these important rudiments are learned. The utterance of the illiterate may exhibit wit and native talent, but it is always more or less barbarous, because it is not aided by a knowledge of orthography. For pronunciation and orthography, however they may seem, in our language especially, to be often at variance, are certainly correlative: a true knowledge of either tends to the preservation of both. Each of the letters represents some one or more of the elementary sounds, exclusive of the rest; and each of the elementary sounds, though several of them are occasionally transferred, has some one or two letters to which it most properly or most frequently belongs. But borrowed, as our language has been, from a great variety of sources, to which it is desirable ever to retain the means of tracing it, there is certainly much apparent lack of correspondence between its oral and its written form. Still the discrepancies are few, when compared with the instances of exact conformity; and, if they are, as I suppose they are, unavoidable, it is as useless to complain of the trouble they occasion, as it is to think of forcing a reconciliation. The wranglers in this controversy, can never agree among themselves, whether orthography shall conform to pronunciation, or pronunciation to orthography. Nor does any one of them well know how our language would either sound or look, were he himself appointed sole arbiter of all variances between our spelling and our speech.
OBS. 3.--"Language," says Dr. Rush, "was long ago analyzed into its alphabetic elements. Wherever this analysis is known, the art of teaching language has, with the best success, been conducted upon the rudimental method." * * * "The art of reading consists in having all the vocal elements under complete command, that they may be properly applied, for the vivid and elegant delineation of the sense and sentiment of discourse."--Philosophy of the Voice, p. 346. Again, of "the pronunciation of the alphabetic elements," he says, "The least deviation from the assumed standard converts the listener into the critic; and I am surely speaking within bounds when I say, that for every miscalled element in discourse, ten succeeding words are lost to the greater part of an audience."--Ibid., p. 350. These quotations plainly imply both the practicability and the importance of teaching the pronunciation of our language analytically by means of its present orthography, and agreeably to the standard assumed by the grammarians. The first of them affirms that it has been done, "with the best success," according to some ancient method of dividing the letters and explaining their sounds. And yet, both before and afterwards, we find this same author complaining of our alphabet and its subdivisions, as if sense or philosophy must utterly repudiate both; and of our orthography, as if a ploughman might teach us to spell better: and, at the same time, he speaks of softening his censure through modesty. "The deficiencies, redundancies, and confusion, of the system of alphabetic characters in this language, prevent the adoption of its subdivisions in this essay."--Ib., p. 52. Of the specific sounds given to the letters, he says, "The first of these matters is under the rule of every body, and therefore is very properly to be excluded from the discussions of that philosophy which desires to be effectual in its instruction. How can we hope to establish a system of elemental pronunciation in a language, when great masters in criticism condemn at once every attempt, in so simple and useful a labour as the correction of its orthography!"--P. 256. Again: "I deprecate noticing the faults of speakers, in the pronunciation of the alphabetic elements. It is better for criticism to be modest on this point, till it has the sense or independence to make our alphabet and its uses, look more like the work of what is called--wise and transcendent humanity: till the pardonable variety of pronunciation, and the true spelling by the vulgar, have satirized into reformation that pen-craft which keeps up the troubles of orthography for no other purpose, as one can divine, than to boast of a very questionable merit as a criterion of education."--Ib., p. 383.
OBS. 4.--How far these views are compatible, the reader will judge. And it is hoped he will excuse the length of the extracts, from a consideration of the fact, that a great master of the "pen-craft" here ridiculed, a noted stickler for needless Kays and Ues, now commonly rejected, while he boasts that his grammar, which he mostly copied from Murray's, is teaching the old explanation of the alphabetic elements to "more than one hundred thousand children and youth," is also vending under his own name an abstract of the new scheme of "tonicks, subtonicks, and atonicks;" and, in one breath, bestowing superlative praise on both, in order, as it would seem, to monopolize all inconsistency. "Among those who have successfully laboured in the philological field, Mr. Lindley Murray stands forth in bold relief, as undeniably at the head of the list."--Kirkham's Elocution, p. 12. "The modern candidate for oratorical fame, stands on very different, and far more advantageous, ground, than that occupied by the young and aspiring Athenian; especially since a correct analysis of the vocal organs, and a faithful record of their operations, have been given to the world by Dr. James Rush, of Philadelphia--a name that will outlive the unquarried marble of our mountains."--Ibid., p. 29. "But what is to be said when presumption pushes itself into the front ranks of elocution, and thoughtless friends undertake to support it? The fraud must go on, till presumption quarrels, as often happens, with its own friends, or with itself, and thus dissolves the spell of its merits."--Rush, on the Voice, p. 405.
OBS. 5.--The question respecting the number of simple or elementary sounds in our language, presents a remarkable puzzle: and it is idle, if not ridiculous, for any man to declaim about the imperfection of our alphabet and orthography, who does not show himself able to solve it. All
