authors in that language." Thirdly, That we should acquire a knowledge of the proper sounds of the letters, and pay a due regard to accent in pronunciation. Fourthly, That we should learn to write words with their proper letters, spelling them as literary men generally do.
10. From these positions, (though he sets aside the first, as pertaining to lexicography, and not now to grammar, as it formerly did,) the learned critic deduces first his four parts of the subject, and then his definition of grammar. "Hence," says he, "there arise Four Parts of Grammar; Analogy, which treats of the several parts of speech, their definitions, accidents, and formations; Syntax, which treats of the use of those things in construction, according to their relations; Orthography, which treats of spelling; and Prosody, which treats of accenting in pronunciation. So, then, the true definition of Grammar is this: Grammar is the art of expressing the relations of things in construction, with due accent in speaking, and orthography in writing, according to the custom of those whose language we learn." Again he adds: "The word relation has other senses, taken by itself; but yet the relation of words one to another in a sentence, has no other signification than what I intend by it, namely, of cause, effect, means, end, manner, instrument, object, adjunct, and the like; which are names given by logicians to those relations under which the mind comprehends things, and therefore the most proper words to explain them to others. And if such things are too hard for children, then grammar is too hard; for there neither is, nor can be, any grammar without them. And a little experience will satisfy any man, that the young will as easily apprehend them, as gender, number, declension, and other grammar-terms." See R. Johnson's Grammatical Commentaries, p. 4.
11. It is true, that the relation of words—by which I mean that connexion between them, which the train of thought forms and suggests—or that dependence which one word has on an other according to the sense—lies at the foundation of all syntax. No rule or principle of construction can ever have any applicability beyond the limits, or contrary to the order, of this relation. To see what it is in any given case, is but to understand the meaning of the phrase or sentence. And it is plain, that no word ever necessarily agrees with an other, with which it is not thus connected in the mind of him who uses it. No word ever governs an other, to which the sense does not direct it. No word is ever required to stand immediately before or after an other, to which it has not some relation according to the meaning of the passage. Here then are the relation, agreement, government, and arrangement, of words in sentences; and these make up the whole of syntax—but not the whole of grammar. To this one part of grammar, therefore, the relation of words is central and fundamental; and in the other parts also, there are some things to which the consideration of it is incidental; but there are many more, like spelling, pronunciation, derivation, and whatsoever belongs merely to letters, syllables, and the forms of words, with which it has, in fact, no connexion. The relation of words, therefore, should be clearly and fully explained in its proper place, under the head of syntax; but the general idea of grammar will not be brought nearer to truth, by making it to be "the art of expressing the relations of things in construction," &c., according to the foregoing definition.
12. The term grammar is derived from the Greek word [Greek: gramma], a letter. The art or science to which this term is applied, had its origin, not in cursory speech, but in the practice of writing; and speech, which is first in the order of nature, is last with reference to grammar. The matter or common subject of grammar, is language in general; which, being of two kinds, spoken and written, consists of certain combinations either of sounds or of visible signs, employed for the expression of thought. Letters and sounds, though often heedlessly confounded in the definitions given of vowels, consonants, &c., are, in their own nature, very different things. They address themselves to different senses; the former, to the sight; the latter, to the hearing. Yet, by a peculiar relation arbitrarily established between them, and in consequence of an almost endless variety in the combinations of either, they coincide in a most admirable manner, to effect the great object for which lan-
