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educated mind is enlightened to see all things aright; for philosophy, in this sense of the term, is found in everything. Yet, properly speaking, the true grammarian is not a philosopher, nor can any man strengthen his title to the former character by claiming the latter; and it is certain, that a most disheartening proportion of what in our language has been published under the name of Philosophic Grammar, is equally remote from philosophy, from grammar, and from common sense.

3. True grammar is founded on the authority of reputable custom; and that custom, on the use which men make of their reason. The proofs of what is right are accumulative, and on many points there can be no dispute, because our proofs from the best usage, are both obvious and innumerable. On the other hand, the evidence of what is wrong is rather demonstrative; for when we would expose a particular error, we exhibit it in contrast with the established principle which it violates. He who formed the erroneous sentence, has in this case no alternative, but either to acknowledge the solecism, or to deny the authority of the rule. There are disputable principles in grammar, as there are moot points in law; but this circumstance affects no settled usage in either; and every person of sense and taste will choose to express himself in the way least liable to censure. All are free indeed from positive constraint on their phraseology; for we do not speak or write by statutes. But the ground of instruction assumed in grammar, is similar to that upon which are established the maxims of common law, in jurisprudence. The ultimate principle, then, to which we appeal, as the only true standard of grammatical propriety, is that species of custom which critics denominate GOOD USE; that is, present, reputable, general use.

4. Yet a slight acquaintance with the history of grammar will suffice to show us, that it is much easier to acknowledge this principle, and to commend it in words, than to ascertain what it is, and abide by it in practice. Good use is that which is neither ancient nor recent, either local nor foreign, neither vulgar nor pedantic; and it will be found that no few have in some way or other departed from it, even while they were pretending to record its dictates. But it is not to be concealed, that in every living language, it is a matter of much inherent difficulty, to reach the standard of propriety, where usage is various; and to ascertain with clearness the decisions of custom, when we descend to minute details. Here is a field in which whatsoever is achieved by the pioneers of literature, can be appreciated only by thorough scholars; for the progress of improvement in any art or science, can be known only to those who can clearly compare its ruder with its more refined stages; and it often happens that what is effected with much labour, may be presented in a very small compass.

5. But the knowledge of grammar may retrograde; for whatever loses the vital principle of renovation and growth, tends to decay. And if mere copyists, compilers, abridgers, and modifiers, be encouraged as they now are, it surely will not advance. Style is liable to be antiquated by time, corrupted by innovation, debased by ignorance, perverted by conceit, impaired by negligence, and vitiated by caprice. And nothing but the living spirit of true authorship, and the application of just criticism, can counteract the natural tendency of these causes. English grammar is still in its infancy; and even bears, to the imagination of some, the appearance of a deformed and ugly dwarf among the liberal arts. Treatises are multiplied almost innumerably, but still the old errors survive. Names are rapidly added to our list of authors, while little or nothing is done for the science. Nay, while new blunders have been committed in every new book, old ones have been allowed to stand as by prescriptive right;. and positions that were never true, and sentences that were never good English, have been published and republished under different names, till in our language grammar has become the most ungrammatical of all studies! "Imitators generally copy their originals in an inverse ratio of their merits; that is, by adding as much to their faults, as they lose of their merits."—KNIGHT, on the Greek Alphabet, p. 117.

   "Who to the life an exact piece would make,
    Must not from others' work a copy take."—Cowley.