Page:The great Galeoto; Folly or saintliness; two plays done from the verse of José Echegaray into English prose by Hannah Lynch (IA greatgaleotofoll00echerich).djvu/37

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to say 'a long, a sad, and solemn farewell to Carmen.' The girl protests she will not leave him, when he irritably orders her away—a great way off. He loved her much, but now it is adieu eternally. He only wishes now to be alone with his parents, until memory suddenly carries him back into the time of quarrel, reproaches, and jealousies of those two in his childhood. 'Don't contradict me, father; you used to quarrel and make me afraid.' He passionately orders him away, too, with Carmen, and turns for comfort to his mother. Then he remembers his school troubles, how his mother coldly parted with him, and to guard against complete loneliness, calls for Paca, his father's old mistress. 'Come, I am young and wish to live,' he cries, and when we find Don Juan aroused to indignation and threatening to fling the Tarifa girl over the balcony into the river if she does not instantly retire, we are ready to hail the mercifulness of Ibsen. This is to carry a sermon to an intolerable length, and drive us so out of love with both philosophy and science as to paint unreason with a double allurement. A father kneeling to his mad son to let an old mistress go, and the son, struggling out of the gathering torpor of intelligence to stare at the rising sun:—

'Mother, how lovely!'

'Lázaro!'

'So lovely! Mother, so lovely! Give me the sun.'

'My God! I also wanted it once,

sobs Don Juan.

'For ever!'

is the last lugubrious note of Dr. Bermúdez.

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