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MIRIAM
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resist the gigantic social forces he had set in motion. He had got to marry under the will of society, even as in times past it has been appointed for other sunny souls under the will of society that they should be led out by serious and unavoidable fellow-creatures and ceremoniously drowned or burnt or hung. He would have preferred infinitely a more observant and less conspicuous rôle, but the choice was no longer open to him. He did his best to play his part, and he procured some particularly neat check trousers to do it in. The rest of his costume, except for some bright yellow gloves, a grey and blue mixture tie, and that the broad crape hat-band was changed for a livelier piece of silk, were the things he had worn at the funeral of his father. So nearly akin are human joy and sorrow.

The Larkins sisters had done wonders with grey sateen. The idea of orange blossom and white veils had been abandoned reluctantly on account of the expense of cabs. A novelette in which the heroine had stood at the altar in “a modest going-away dress” had materially assisted this decision. Miriam was frankly tearful, and so indeed was Annie, but with laughter as well to carry it off. Mr. Polly heard Annie say something vague about never getting a chance because of Miriam always sticking about at home like a cat at a mouse-hole, that became, as people say, food for thought. Mrs. Larkins was from the first flushed, garrulous, and wet and smeared by copious weeping; an incredibly soaked and crumpled and used-up pocket handkerchief