and made friends—but none so richly satisfying as Parsons. He was frequently but mildly and discursively in love, and sometimes he thought of that girl who had given him a yellow-green apple. He had an idea, amounting to a flattering certainty, whose youthful freshness it was had stirred her to self-forgetfulness. And sometimes he thought of Foxbourne sleeping prosperously in the sun. And he began to have moods of discomfort and lassitude and ill-temper due to the beginnings of indigestion.
Various forces and suggestions came into his life and swayed him for longer and shorter periods.
He went to Canterbury and came under the influence of Gothic architecture. There was a blood affinity between Mr. Polly and the Gothic; in the middle ages he would no doubt have sat upon a scaffolding and carved out penetrating and none too flattering portraits of church dignitaries upon the capitals, and when he strolled, with his hands behind his back, along the cloisters behind the cathedral, and looked at the rich grass plot in the centre, he had the strangest sense of being at home—far more than he had ever been at home before. “Portly capons,” he used to murmur to himself, under the impression that he was naming a characteristic type of medieval churchman.
He liked to sit in the nave during the service, and look through the great gates at the candles and choristers, and listen to the organ-sustained voices, but the transepts he never penetrated because of the charge for admission. The music and the long vista of the fretted roof filled
