seeking to propagate her doctrines in the midst of Græco-Roman civilization, the Church had adopted for her intercourse with the people a wholly unknown language, and had systematically repudiated everything that until then had served to give expression to religious feeling.
Within the limits imposed by the conventions of race and culture, the method of interpreting the emotions of the heart cannot be indefinitely varied, and it was natural that the new religion should appropriate and incorporate all that was good in a ritual much of which only required to be rightly interpreted and directed to become the language of the Christian soul aspiring to the one True God. Certain attitudes of prayer and reverence, the use of incense and of lamps burning day and night in the sanctuary, the offering of ex-votos as a testimony to benefits received, all these are man’s natural expressions of piety and gratitude towards a divine power, and it would be strange indeed if their equivalents were not met with in all religions.
Cicero tells us that at Agrigentum there was a much-venerated statue of Hercules, of which the mouth and chin were worn away by the many worshippers who pressed their lips to it.61 The bronze foot of the statue of the first Pope, S. Peter, in Rome has not withstood any better the pious kisses of the faithful. Yet he were a very fool who imagined that modern Christians have learned anything from the Sicilian contemporaries of Verres. What is true is that the same thought in analogous circumstances has found natural expression after an interval of centuries in identical actions and attitudes.
Among the Greeks, heroes, reputed to be the mortal sons of some divinity, were specially honoured in the city with which they were connected by birth and through the benefits they had conferred upon it. After death they became the patrons and protectors of these towns. Every country, nay, almost every village, had such local divinities to whom monuments were raised and whom the people invoked in their prayers. The centre of devotion was generally the hero’s tomb, which was often erected in the middle of the agora, the nave of public life. In most cases it was sheltered by a building, a sort of chapel known as ἡρῷον. The celebrated temples, too, were not infrequently adorned with
