not about at the moment. Mrs. Brade was on the beach painting pretty pictures.
"Good," said Hallet, "I'll have a look around their room before I question them. Take us there."
The Jap hesitated. "Boy!" he called. It was only a bluff; the Reef and Palm had no bell-boys. Finally, with an air of injured dignity, he led the way down a long corridor on the same floor as the office and unlocked the door of nineteen, the last room on the right. Hallet strode in and went to the window.
"Here—wait a minute," he called to the clerk. He pointed to the elderly woman painting on the beach. "That Mrs. Brade?"
"Yes-s," hissed the Jap.
"All right—go along." The clerk went out. "Mr. Winterslip, I'll ask you to sit here in the window and keep an eye on the lady. If she starts to come in, let me know." He stared eagerly about the poorly furnished bedroom. "Now, Mr. Brade, I wonder what you've got?"
John Quincy took the post assigned him, feeling decidedly uncomfortable. This didn't seem quite honorable to him. However, he probably wouldn't be called upon to do any searching himself, and if policemen were forced to do disagreeable things—well, they should have thought of that before they became policemen. Not that either Hallet or Chan appeared to be embarrassed by the task before them.
There was a great deal of luggage in the room—English luggage, which is usually large and impressive. John Quincy noted a trunk, two enormous bags, and a smaller case. All were plastered with labels of the Sonoma, and beneath were the worn fragments of earlier labels, telling a broken story of other ships and far hotels.
