end furthest from the medium; having done so, it suddenly becomes quite weighty, and, relaxing his hold, it comes down with much force upon the floor. Thus, by the power—exercised beneath the table—of an assumed spirit, that piece of cabinet-ware becomes heavy or light, and is moved in various ways, the medium not appearing to do it.
In addition to her other “fixins,” this medium has a spirit-dial, so called, on which are letters of the alphabet, the numerals, and such words as “Yes,” “No,” and “Don’t know.” The whole thing is so arranged that the pulling of a string makes an index hand go the circuit of the dial-face, and it can be made to stop at any of the characters or words thereon. This “spirit-dial” is placed on the table, near the end furthest from the medium, the string passing through a hole and hanging beneath. In the end of the string there is a knot. While the medium remains in the same position in which she sat when the other “manifestations” were produced, communications are spelled out through the dial, the index being moved by some power under the table that pulls the string. A coil-spring makes the index fly back to the starting-point, when the power is relaxed at each indication of a character or word. The orthography of these “spirits” is “bad if not worse.”
Now for an explanation of the various “manifestations” that I have enumerated.
The medium is simply handy with her feet. To sound the accordeon and ring the bell at the same time, she has to take off one of her shoes or slippers, the
